OUR TAKE: The Weekend Before Thanksgiving

For those who follow this column, you may remember that I love Thanksgiving. The menu is simple, known by all, but flexible enough to highlight individual and family heritage recipes. No gifts. No Thanksgiving Eve. Lots of amazing leftovers.

Who could ask for more?

Thanksgiving is late this year, but it seems like Christmas is being celebrated earlier than ever. I am old enough to remember the beginning of Black Friday sales, which was named as such because retailers usually went into the “black” on the Friday after Thanksgiving. As with most things today, the concept has been tortured, compromised and beaten to death.

Thank goodness for our music. Amid an everchanging, overintense world we can rely upon a great recording, or, even better, a great live show, to settle our nerves, restore our optimism and touch our humanity.

Last night, I had the pleasure of attending an Emmet Cohen concert. Emmet was in town with his trio (Reuben Rogers and Joe Farnsworth). For countless reasons, I cannot say his name or listen to his music without smiling. First, performing on The Jazz Cruise was one of his inaugural professional gigs. Second, the development of his career has mirrored, almost in lockstep, with that program. Third, his growth, maturity and career path are very admirable and, to whatever extent The Jazz Cruise and our company had in that development means a great deal to us.

Before delving further into the personal traits that make Emmet special, let’s agree on one very important aspect of his career. The man can play! Serious chops. Warm and engaging stage presence and nearly perfect song selection for the event at hand. In a world where moments of bliss are thrown around like manhole covers, Emmet continues, night after night, to bring unbridled joy to his audience.

Watching Emmet navigate the jazz world, his baseline (and his bass line for that matter) has always been “respect.” He respects, even worships, the jazz musicians who have paved the way for him, the audience and, most of all, the music. I have watched other stars, such as David Sanborn, Marcus Miller, Chris Botti, Christian McBride and Gregory Porter show a similar reverence. None of them, including Emmet, would do anything to cause embarrassment or lack of gratitude for the music or their time on the bandstand.

There are many other musicians with the same dedication and staunch reverence for the bandstand and the music. Confining my comments only to those musicians who have performed multiple times with us on our cruises, certainly John Clayton, John Pizzarelli, Wycliffe Gordon, Boney James, Brian Culbertson, Dee Dee Bridgewater and Catherine Russell are graduates of the School of Jazz respect as well.

There are many more who certainly qualify, but I have had the privilege and honor of working with those musicians for several years and each of them, regardless of where they are in the spectrum of jazz when it comes to their musical choices, present themselves with dignity, authenticity, and a deep respect for their craft.

Finding folks whose first goal is to provide a product or a service to others, rather than concentrate on what is best for them personally is harder than ever. Of course, all great musicians take pride in their work. They should. That type of motivation is healthy and nearly a requirement for excellence.

But what matters is which metric they use to measure their success. The great ones know that audience satisfaction is the only metric that matters. If that is achieved, then the other “goodies” will follow naturally and without further effort.

When Emmet performs, he will constantly be looking at the crowd, measuring their reactions, determining if he is connecting and making decisions about how to move forward with the next music. Guess what, for Emmet, checking out the audience is also like taking a victory lap or basking in the sun. 

The ever present smile on his face reflects his realization that he is making a whole bunch of people very happy.

By Michael Lazaroff, Executive Director of The Jazz Cruise, The Smooth Jazz Cruise, Chris Botti at Sea, Christian McBride’s World at Sea and Journey of Jazz. Feel free to express your views or pose questions to him at [email protected]

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Signature Cruise Experiences Thanksgiving Break

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Holiday Tours

e Thanksgiving holiday is coming up and we all know what that means: Family reunions, turkey dinners, sleepy football watching and perhaps some uncomfortable conversations. True, but musically, it means the onset of holiday music here, there and everywhere – in stores, restaurants and eventually in your head, and not all, or even much of it, good.
 
But several of our favorite artists will be out there on tour bringing you the good holiday music. ‘Tis the season. Here’s a rundown on just a few of the special tours happening during the coming weeks.

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Signature Jazz Cruises’ Programs

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Mug Shots of the Week

Yolanda B. and Sharon S.
California

Guests on the ’24 jazz cruises received The Weekender mug, which we hope you will use with your Saturday morning coffee while you read the latest edition. Please share a picture of yourself & your mug with us so that we can include it for the 100,000+ folks who receive The Weekender each Saturday.

Tag us @thejazzcruise, @bottiatsea, @thesmoothjazzcruise, #jazzcruises and #theweekender. Email your photo to [email protected].